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Robert Coover’s “The Babysitter”

Here’s the post where you can leave your comments. I just read this in a book about Coover that I thought could get you started – do you agree with these statement or not?

Thomas E. Kennedy in Robert Coover: a study of the short fiction (pp. 64-67) writes:

[Richard] Anderson finds this story technically fascinating but… lacking in human emotion and thus in literary merit. [However,] “The Babysitter” certainly does deal with human emotion–with fear and delight, with idle desire and raw lust, and with the entire range of tamed yearnings that seethe beneath the narcotized surface of suburban life. The story enacts a flushing out of fear and of fictions (“mythic residue”), a turning of the suburban stone to reveal the teeming fictions of the quotidian.

[…]

The reality here is everything, the sum total of it all–that which happens, that which is only imagined, that which is watched, wished for, dreamed, planned, enacted, felt, and thought; a great internal-external spiral, half-real/half-imagined, is certainly not realism, but the reality that realism conceals in the interest of literary convention.

BTW, it seems that I have to approve your first comment, and then after that, you can comment without my approval. So your comment won’t appear immediately this first time, only after I have read it.

Follow-up

I’ll be in my office today from about 2-2:45 if you want to stop by so I can sign your card.
 
Re: lab. I said that you should email me if you are planning to attend lab. I think, in the future, I will simply ask everyone on Tuesday whether they will be coming, to take away the element of suspense. I strongly suggest you go to lab this Thursday since I can answer any questions about where to save your stuff, etc. A few students have already told me they’ll be there, so you don’t have to write me an email.  It’s from 5-6:20.  If you can’t make it, I can meet you there some other time, or you can ask questions of the lab assistants there.
 
Lastly, the cheat sheets only have to have things on their that you think you won’t remember. No reason to put things in there that you think will be obvious to you or that you already know.
 
I didn’t give any examples of Flash work yesterday because I got lazy and my throat was sore. But here are a few things on the web – mostly pretty simple stuff, some silly, some considered major work. Just for poking around if you have time:
 
The Blonk Organ (using vocal sounds of sound poet Jaap Blonk):
http://www.bajazzo.com/blonkorgan.html
 
Yong-Hae Chang Heavy Industries (Flash movies in many languages, pick any one – all have sound):
http://www.yhchang.com/
 
Bembo’s Zoo (animations made entirely out of letters):
http://www.bemboszoo.com/
 
The Jew’s Daughter (a highly acclaimed hyperfiction in Flash, sometimes doesn’t run properly but give it time):
http://www.thejewsdaughter.com/

Another fun thing (click on the horses’ mouths – this has sound):
http://www.arras.net/fscIII/?p=24

Class list

At this point in space and time, the class list is as follows:

Lisa Oliver
Daniel Cannizzaro
Annie Keilman
Adam White
William Durette
Alice Liu
Jason French
Daniel Howe
Elliott Breece
Scott Kolp
Andrew Fox
Raphael Lee
Joshua Spechler

It’s a nice mix of people, I’m really looking forward to working with all of you! There’s still space in the class, so let your friends know in case they’re interested.

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