Category Archives: So-Cal Poetry

Paul Muldoon | CalTech, May 14 2014

One of my favorite poets in the Auden tradition, the “Irish” poet Paul Muldoon. I haven’t been up on his work for a long time but I’m sure he’s up to something clever and interesting.

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Beckman Institute Auditorium

A writer of dazzling invention and resourceful wit, Paul Muldoon has been called by The Times Literary Supplement “the most significant English-language poet born since the Second World War.”

Winner of the Pulitzer Prize for Poetry, the European Prize for Poetry, and the Griffin International Prize for Excellence in Poetry, he is currently poetry editor of the New Yorker and Howard G. B. Clark ’21 Professor in the Humanities and Professor of Creative Writing in the Lewis Center for the Arts at Princeton University.

This event is free and open to the public.

 

Beckman Institute Auditorium is located on Michigan Avenue south of Del Mar Boulevard.

 

AV by Andrea Fraser, Vanessa Place | MAK Center, April 9, 2014

Schindler House
835 N Kings Road
West Hollywood, CA 90069

(map)

April 9, 2014
6:30 pm – 9:00 pm

Artist walkthrough: 6:30 pm
Opening reception: 7:00 – 9:00 pm
Exhibition runs April 10 – June 1, 2014

Andrea Fraser’s work engages the institution of art and art institutions. Vanessa Place’s work interrogates notions of criminality and poetry. Language and sound figure into both of their practices as key investigative tools. Working from the disciplines of art and writing respectively, both employ existing tracts of text and reposition them in the context of art and performance. This exhibition presents new work by each artist in two sound installations in the Schindler House.

For AV, Fraser will attempt to activate some of the structural relations between museums and prisons as the bookend institutions of polarized neoliberal social space. Place debuts her installation, Last Words, about which she writes: “Death is a sentence. Silently handed to each of us, spoken aloud to others.” Both works prompt the viewer—or in this case, the listener—to ask questions about the notions of absence, presence, power, individuality, freedom, and subjectification. Curated by Kimberli Meyer.

Andrea Fraser
Major projects by Andrea Fraser include installations, performances, and surveys for an array of international museums, including the Kunstverein Munich; the Venice Biennale (Austrian Pavilion); the Whitney Biennial; the Generali Foundation, Vienna; the Kunsthalle Bern; the Bienal de São Paulo; Tate Modern; the New Museum of Contemporary Art, New York; the Philadelphia Museum of Art; the Wadsworth Atheneum, Hartford; the Museum of Modern Art, Vienna; the Museum of Modern Art, New York; the Centre Pompidou, Paris; the Belkin Art Gallery, University of British Columbia; the Kunstverein Hamburg; the Carpenter Center, Harvard University; and the Ludwig Museum, Cologne. Her books include Andrea Fraser: Works 1984-2003, Dumont, 2003; Museum Highlights: The Writings of Andrea Fraser, MIT Press, 2005; and Texts, Scripts, Transcripts, Museum Ludwig, 2013. Fraser is a professor of New Genres at University of California, Los Angeles.

Vanessa Place
The Boston Review called Vanessa Place “the spokesperson for the new cynical avant-garde,” the Huffington Post characterized her work as “ethically odious,” while philosopher and critic Avital Ronell said she is “a leading voice in contemporary thought.” Vanessa Place was the first poet to perform as part of the Whitney Biennial; a content advisory was posted. Place also works as a critic and criminal defense attorney, and CEO of VanessaPlace Inc, the world’s first poetry corporation.

Photograph by Sandra Peters

Programming > AVNew Works by Andrea Fraser, Vanessa Place | MAK Center for Art and Architecture, Los Angeles.

Christine Wertheim and Patrick Ballard, Automata Arts | April 5-6 2014, 8 PM

Christine Wertheim will perform swOunds, hOwles and other infantile nO|ses from her new book mUtter- bAbel, published by Counterpath Press.

Patrick Ballard will perform Impressions; a rotating cast of pieces for solo performer with a microphone.

$18 General Admission
$15 Members/Students/Seniors
Seating is Limited; Advance Reservations Suggested.

To purchase tickets for the performance, click Here.

Christine

Christine Wertheim is author of mutter-bAbel (Countertpath Press) and +|’me’S-pace (Les Figues Press), editor of the anthology Feminaissance, and with Matias Viegener co-editor of Séance and The n/Oulipean Analects. She has performed her work widely, including at La Sorbonne, Birckbeck College London, University of Western Sydney, Machine Project, LA, Echo Park Film Center and the MJT. With her sister Margaret, she co-directs the Institute For Figuring, organizing events at the intersection of science, art and pedagogy. In 2011 the sisters received the Theo Westenberger Grant for Outstanding Female Artists from the Autry National Center. She teaches at the California Institute of the Arts.

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Patrick Ballard is a Los Angeles based artist that works through object making, music, performance, writing, various comedic forms, and a motley crew of other assorted media. His performance and sculpture work has been shown at Machine Projects, Grand Central Art Center Santa Ana, and featured as a part of Pacific Standard Time’s Ball of Artists. He will be receiving an MFA in Art from California Institute of the Arts later this year.

at:
AUTOMATA
504 Chung King Court Los Angeles, CA 90012
automata-la@sbcglobal.net
www.automata-la.org

For Directions to AUTOMATA, click HERE.

Automata Arts.

Friends, Bitches, Countrymen: Contemporary Feminist Poetics Visions and Voices

This looks like a really great event that I just found out about this morning. I’ve been meaning to see most of these writers for a long time! The website states:

What are the relationships between feminism, poetry and power? In a reading and performance, five American poets will define, discuss, question, subvert, celebrate and explode their varied feminist poetics.

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Wednesday, March 26, 2014 : 7:00pm
The Ray Stark Family Theatre
School of Cinematic Arts 108
University Park Campus

Book signing to follow. Admission is free. Reservations required. RSVP at the links below beginning Monday, March 3, at 9 a.m.

USC Students, Staff and Faculty: To RSVP, click here.
General Public: To RSVP, click here.

via Visions and Voices: The Arts and Humanities Initiative. Continue reading Friends, Bitches, Countrymen: Contemporary Feminist Poetics Visions and Voices